Template:HellmouthCartographicDefamation - Revision history

Ch4zm at 19:28, 27 July 2025

2025-07-27T19:28:46Z

← Older revision		Revision as of 19:28, 27 July 2025
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	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Mr. Bartholomew Peabody Finch, a celebrated (but notoriously smug) artist from [[GO BACK TO WELLESLEY\|Wellesley]]] who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "[[GO BACK TO WELLESLEY]]!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Mr. Bartholomew Peabody Finch, a celebrated (but notoriously smug) artist from [[GO BACK TO WELLESLEY\|Wellesley]] who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "[[GO BACK TO WELLESLEY]]!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:Hellmouth Cup Lore]]		[[Category:Hellmouth Cup Lore]]

Ch4zm at 19:24, 27 July 2025

2025-07-27T19:24:32Z

← Older revision		Revision as of 19:24, 27 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Mr. Bartholomew Peabody Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Mr. Bartholomew Peabody Finch, a celebrated (but notoriously smug) artist from [[GO BACK TO WELLESLEY\|Wellesley]]] who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "[[GO BACK TO WELLESLEY]]!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:Hellmouth Cup Lore]]		[[Category:Hellmouth Cup Lore]]

Ch4zm at 19:23, 27 July 2025

2025-07-27T19:23:53Z

← Older revision		Revision as of 19:23, 27 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody ~~Saltpeter Katzenberger Ridonovich~~ Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Mr. Bartholomew Peabody Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:Hellmouth Cup Lore]]		[[Category:Hellmouth Cup Lore]]

Ch4zm at 18:17, 27 July 2025

2025-07-27T18:17:12Z

← Older revision		Revision as of 18:17, 27 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed ~~the~~ [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by ~~an Arsonist~~ at ~~a Booger~~.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed [[The Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!!" chant was first shouted by Alewife fans at Boogers players.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:Hellmouth Cup Lore]]		[[Category:Hellmouth Cup Lore]]

Ch4zm at 10:06, 20 July 2025

2025-07-20T10:06:19Z

← Older revision		Revision as of 10:06, 20 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
			[[Category:Hellmouth Cup Lore]]
	[[Category:BB]]		[[Category:BB]]
	[[Category:AA]]		[[Category:AA]]
	</noinclude>		</noinclude>

Ch4zm at 10:06, 20 July 2025

2025-07-20T10:06:08Z

← Older revision		Revision as of 10:06, 20 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the ~~Boylston~~ Boogers unveiled a massive, permanent tile map ~~in their~~ station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (~~and~~ notoriously smug) artist from Wellesley~~; it~~ was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:BB]]		[[Category:BB]]
	[[Category:AA]]		[[Category:AA]]
	</noinclude>		</noinclude>

Ch4zm at 19:20, 19 July 2025

2025-07-19T19:20:49Z

← Older revision		Revision as of 19:20, 19 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first ~~spat in fury~~.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:BB]]		[[Category:BB]]
	[[Category:AA]]		[[Category:AA]]
	</noinclude>		</noinclude>

Ch4zm at 19:17, 19 July 2025

2025-07-19T19:17:52Z

← Older revision		Revision as of 19:17, 19 July 2025
Line 1:		Line 1:
	The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.<noinclude>		The modern [[MTA Crown]] rivalry between the {{CTeam\|AA}} and {{CTeam\|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.<noinclude>
	[[Category:Lore Fragments]]		[[Category:Lore Fragments]]
	[[Category:BB]]		[[Category:BB]]
	[[Category:AA]]		[[Category:AA]]
	</noinclude>		</noinclude>

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2025-07-19T19:17:19Z

Created page with "The modern MTA Crown rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Bo..."

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The modern [[MTA Crown]] rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.<noinclude>
[[Category:Lore Fragments]]
[[Category:BB]]
[[Category:AA]]
</noinclude>