Difference between revisions of "Template:HellmouthCartographicDefamation"
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| − | The modern [[MTA Crown]] rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.<noinclude> | + | The modern [[MTA Crown]] rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the [[Cartographic Defamation]] was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.<noinclude> |
[[Category:Lore Fragments]] | [[Category:Lore Fragments]] | ||
[[Category:BB]] | [[Category:BB]] | ||
[[Category:AA]] | [[Category:AA]] | ||
</noinclude> | </noinclude> | ||
Revision as of 19:17, 19 July 2025
The modern MTA Crown rivalry between the 
Alewife Arsonists
and 
Boylston Boogers
had its fuse lit in Season 14 not by a match, but by a mosaic. In a grand act of civic arrogance, the Boylston Boogers unveiled a massive, permanent tile map in their station. The Boogers had commissioned the work from Bartholomew Peabody Finch, a celebrated (and notoriously smug) artist from Wellesley; it was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, the Cartographic Defamation was the moment the "GO BACK TO WELLESLEY!" chant was first spat in fury.
