Difference between revisions of "Template:HellmouthCartographicDefamation"
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The modern [[MTA Crown]] rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude> | The modern [[MTA Crown]] rivalry between the {{CTeam|AA}} and {{CTeam|BB}} had its fuse lit in [[Season 14]] not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the [[Cartographic Defamation]], was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.<noinclude> | ||
[[Category:Lore Fragments]] | [[Category:Lore Fragments]] | ||
| + | [[Category:Hellmouth Cup Lore]] | ||
[[Category:BB]] | [[Category:BB]] | ||
[[Category:AA]] | [[Category:AA]] | ||
</noinclude> | </noinclude> | ||
Revision as of 10:06, 20 July 2025
The modern MTA Crown rivalry between the 
Alewife Arsonists
and 
Boylston Boogers
had its fuse lit in Season 14 not by a match, but by a mosaic. In a grand act of civic arrogance, the Boogers unveiled a massive, permanent tile subway system map at Boylston station. The Boogers had commissioned the work from Bartholomew Peabody Saltpeter Katzenberger Ridonovich Finch, a celebrated (but notoriously smug) artist from Wellesley who was a huge Boogers fan. The map was a masterpiece of passive aggression. It depicted the Green Line as a thick, vibrant artery of emerald and gold tile, pulsing with life, feeding all of Boston with its energy and vitality. In stark contrast, the Red Line was rendered as a thin, pathetic capillary of cracked crimson ceramic that withered and fizzled into a gray, featureless smudge at Alewife. This public insult, dubbed the Cartographic Defamation, was the moment the "GO BACK TO WELLESLEY!" chant was first shouted by an Arsonist at a Booger.
